He recorded a half dozen LPs under his own name including his own compositions but is probably best remembered for his contribution to the greatest jazz recording of all time: Miles Davis' 'Kind Of Blue'. Chambers performed as a sideman with some of the greatest names in jazz including Miles Davis, John Coltrane, Cannonball Adderley, Sonny Rollins, Wes Montgomery, Joe Henderson, Bill Evans, Wayne Shorter, Herbie Hancock, Hank Mobley, Lee Morgan, Gil Evans and Freddie Hubbard. Chambers recorded about a dozen albums as a leader or co-leader, and as a sideman, notably as the anchor of trumpeter Miles Davis's "first great quintet" (1955–63) and with pianist Wynton Kelly (1963–68).ĭuring his 13 year career between 19, Paul Chambers was one of the leading double bass players in jazz, performing with a wide variety of artists and a range of the music's sub-genres and recording over 300 LPs for labels such as Blue Note, Riverside, Mercury and Columbia Records. A fixture of rhythm sections during the 1950s and 1960s, his importance in the development of jazz bass can be measured not only by the extent of his work in this short period, but also by his impeccable timekeeping and intonation, and virtuosic improvisations. The bass lines and solos in this book are my jazz language. Look at walking bass lines like you would a melody or a solo. The track list spans more than 50 years and range from Etta James jazz. (Ap– January 4, 1969) was a jazz double bassist. Jazz Bass Transcriptions is about learning from good models. Bass Monsters profiles sixteen players with transcriptions of some of the most.
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